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This resource pack provides advice and guidance for parents and caregivers on how best to protect and support their children with disabilities during the COVID-19 outbreak

TailfeatherTV has been co-written and is presented by young adults with learning disabilities especially for babies, toddlers and young children.

​TailfeatherTV episodes each have a different theme and are presented in an App-Style format.

​Viewers are taken into the 'main screen' to meet 5 lovable characters who represent a different fun area for children to explore: Dance, Sing, Sign, Learn, and Play....

This policy brief provides an overview of Handicap International’s 2012 policy paper on inclusive education which explains Handicap International’s current work on inclusive education and offers perspectives for the period 2011-2015
PP Brief No 8

This chapter explores role playing, sociodramas, people’s theater, and puppet shows as forms of action-packed group story-telling for health workers. Each can be used to explore problems or situations by acting them out and learning processes are provided for both actors and watchers based upon participation and discovery
Chapter 27 of "Helping Health Workers Learn" by D. Warner and B. Bower

This practical guide presents non-formal education in the contexts of emergencies and reconstruction to provide emergency-affected out of school children, youth and adults with educational activities that meet their needs and interests, and to supplement formal schooling of those children and youth with subjects relevant to their protection well-being and psycho-social needs. This guide is useful to anyone interested in non-formal education in the contexts of emergency and reconstruction

These case studies come from an initiative that supports non-formal education projects in Africa, South Asia, the Caribbean and Latin America. The long-term goal of these projects is to develop sustainable livelihoods for low-income, low-literate populations by addressing vulnerability to HIV and AIDS and drug misuse, a lack of education and social exclusion. Central to all of these projects are the creative and innovative methods used to communicate in a meaningful way, engage people and encourage their participation. The projects all focus on capacity building, empowerment, and creating learning opportunities. A DVD has been produced to accompany this publication

This report summarises a programme for marginalised youth that was implemented in one urban area (Kampala) and one rural area (Arua) of Uganda, with the ultimate goal of determining marketable livelihood skills while facilitating placement of marginalised youth in employment. By providing marginalised youth with new learning opportunities that nurture empowerment and socio-economic inclusion, the project contributed to breaking the cycle of marginalisation and vulnerabilities that impedes the development of out-of-schools youth. In this context, education on HIV and AIDS was an integral part of the project, which also involved the active participation of local artisans and employers during specific training and orientation sessions. 288 marginalised youth were placed in viable working situations. The process was effective in building self-esteem, equipping them to make informed decisions and resist negative peer pressure. Training methods revolved around three basic approaches: - learning by doing; - learning by producing, and - learning by earning

"This Guide is a basic introduction to using participatory methods for exploring human rights issues with people in rural communities to encourage human rights organisations to adopt a long-term approach to raising human rights awareness Section I presents the background to the writing of the Guide and its context. It explains the approach proposed to mobilise rural communities, and it introduces the different components of participatory research and participatory theatre methodology. Section II contains information on the range of participatory theatre methods, and provides illustrative examples of how to use them to explore human rights issues with rural communities. Background information on the specific human rights issues used as examples is also included. The guide contains basic guidelines and suggestions rather than giving step-by-step directions on how to develop programmes, and users are encouraged to adapt the methods and adjust any part of the Guide to suit their own circumstances. This guide is useful for Human right organisations, theatre directors and group, and community development organisations"